“Congress must act now to codify and clarify that AI training on public data is textbook fair use.”
Last week, a coalition of entertainment companies filed a lawsuit against Midjourney, an AI company that builds generative tools using publicly available data. These lawsuits follow similar actions against other leading AI firms. The strategy is clear: ensnare AI startups under an avalanche of litigation before they can challenge entrenched business models. If established media wins this battle, it won’t just hurt AI companies—it will harm the millions of American businesses and consumers who stand to benefit from the most transformative technology since the internet itself.
At issue in this debate is the legal principle of fair use, a uniquely American doctrine that has powered nearly every great leap in modern technology innovation. Fair use allows search engines to index the web. It allows us to forward emails and quote text in news articles. It protects VCRs, DVRs, cloud computing, search, and social media. Without fair use, none of these technologies would exist as we use them today.
We’ve seen this movie before. In 1984, the entertainment industry fought to ban the VCR, claiming it would destroy film. The Supreme Court disagreed, laying the foundations for the home video market. That industry, which generates some $24 billion a year, saved Hollywood from stagnation. A technology legacy media tried to kill became one of their most profitable lines of business.
The new tech skeptics were wrong then. They are catastrophically wrong now.
AI models, like people, learn from the world around them. Training on publicly available text, images, and video isn’t a flaw—it’s the engine for AI innovation. The law agrees: the U.S. District Court for the Northern District of California affirmed this week that large language models create “quintessentially transformative” content—squarely within the bounds of fair use. If we start outlawing learning, we’re strangling our AI future.
Worse, we’re making it harder for AI innovators to thrive and grow in the United States. While the U.S. dithers in court, our geopolitical rivals are moving forward at a breakneck pace. China has made AI a national imperative, pouring billions into research and deployment. The EU is building an aggressive regulatory framework designed to enable domestic champions, even if it does so imperfectly. Here in the U.S., we’re allowing copyright lawsuits to squeeze our most promising innovators at the outset.
If we let copyright maximalists rewrite fair use to ban AI training, we are disarming ourselves in the 21st-century tech race. Worse, we are handing the keys to the next industrial revolution to authoritarian regimes with no such hesitation.
Let’s be clear: these lawsuits aren’t about protecting artists. They’re about hijacking our legal system to protect legacy business models.
AI doesn’t replace creativity, it amplifies it. Photoshop didn’t eliminate photographers, it helped them perfect their craft. GarageBand didn’t limit musicians, it opened the door to new artists. AI will do for storytelling what these tools did for visual art and music: expand access, enhance quality, and lower the barriers to entry.
Hollywood has a choice. Legacy studios can partner with technologists and reinvent entertainment for the AI era. Or they can litigate their industry into irrelevance while the rest of the world moves on.
Congress must act now to codify and clarify that AI training on public data is textbook fair use. That will shut down weaponized litigation designed to block innovation and make American AI leadership a non-negotiable strategic priority. If the United States cedes our AI lead now, we may never get it back. This is an innovation issue. A national security issue. A future-of-the-economy issue. Hollywood already lost this fight once and got lucky – and rich – anyway. This time, we can’t afford to let them win.
Image Source: Deposit Photos
Author: garagestock
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6 comments so far.
Anon
June 29, 2025 02:02 pmMark,
Apologies, as I do not see the point in your response. I do not feel that the situation is one of being “either/or.”
Rights holder remain in place, and the burgeoning innovation associated with AI does not berift the value afforded by IPWatchdog and Gene’s efforts.
That is not to say that some who have value in current modes of business methods will remain unscathed by the innovation wave that AI presents.
But IPWatchdog is not one of those, as far as I can tell.
Mark Summerfield
June 29, 2025 06:12 amAnon,
I don’t necessarily disagree. I’ve never sought to monetize my blog, and these days I am moving on to other things (involving AI, as it happens). My comment was primarily highlighting the fact that Gene is publishing articles here that advocate for undermining his own business model.
Maybe Gene doesn’t agree with this opinion – he usually takes the side of rights holders. But it’s not at all clear to me which is more valuable to the US economy: its established IP-based industries, or its emerging AI industry. (Nor which has the more powerful lobbyists.)
Alex
June 27, 2025 05:53 pm>Let’s be clear: these lawsuits aren’t about protecting artists. They’re about hijacking our legal system to protect legacy business models.
Truly ironic to see whining about “hijacking our legal system” come from a representative for a trade group that has attempted to weaponize copyright and the courts since the inception of digital media and the outset of online distribution. The nature of AI training and its application to fair use, multi-pronged and too scenario specific to make sweeping generalizations about, is one that deserves evaluation by courts, if it is indeed as innovative as the big tech players bloviating about it suggest. Instead, the rush to innovate has become self-imposed from a terrible cocktail of fears, from China to data moats. That only copyright maximalists, as you describe, are players like Meta that have become fair use maximilists. Your editorial is unfortunately equally as myopic.
Enzo A.
June 27, 2025 10:04 amThis feels off the mark; especially the following statement:
“Hollywood has a choice. Legacy studios can partner with technologists and reinvent entertainment for the AI era. Or they can litigate their industry into irrelevance while the rest of the world moves on.”
It is unlikely Hollywood film making would be irrelevant because of their opposition to training AI with copyrighted material. This isn’t a fear of a technological advancement, like the VCR, it is the fear of technology stealing what once only belonged to human innovation. The opinion also ignores the current consumer opinions on AI generated art. I find myself seeking out art and media that does no use AI generated content.
P.S. Home entertainment has significantly altered the film industry. Look at the impact Netflix, Hulu, etc. has had on box offices and local theaters. Hollywood may still be thriving, but that narrow view ignores the true impact.
Anon
June 27, 2025 08:35 amMark,
Perhaps we (the Royal We) should then be aiming to innovate new business methods – as opposed to pining (whining?) about those being replaced with innovation?
I mean, that is the nature of the realm within which we operate, yes?
Mark Summerfield
June 27, 2025 08:13 amIt’s not just “legacy media” that has something to defend. I don’t need IPWatchdog any more. I can copy and paste any CAFC opinion into ChatGPT, or Claude, or any one of a number of AI tools, and ask for an analysis, and it will be nearly as informative as any human author can produce. Why are these tools so good at this? Well, mostly because they have been trained on content that includes IPWatchdog and many other similar sources.
Keep reaping the rewards while you can, Because the day is coming when AI platforms will be able to offer sponsors far more lucrative and targeted promotion opportunities than any old-fashioned human-based blog.
How do I know this? Because I have my own blog, and I am watching it die.